|
|
DENNIS ELSAS ARCHIVES
Welcome to the Elsas Archives – my personal collection
of classic interviews, favorite photos, and memorable
moments in radio history. With over thirty five years
on-the-air at WNEW-FM, WFUV and Sirius I’ve worked with
an amazing group of musicians, artists and friends.
Take a look around,
listen in and come back again to see what we’ve added.
For
more information regarding the complete interviews
and/or use of the materials please contact
archives@denniselsas.com
|


click photo to enlarge
|
Jerry Garcia - The Grateful Dead
When I met up with Jerry Garcia for a PM Magazine TV interview in a NY hotel room in late Fall 1984, the Grateful Dead were about to celebrate their 20th anniversary. The band had already begun to attract a second generation of Deadheads — extremely loyal fans who may have been too young to experience the 60’s firsthand, but were determined to embrace the experience in every way possible.
Jerry was in town to play a show with John Kahn at the nearby Capitol Theatre in Passaic, NJ. It was just one of several side projects he would often pursue. Relaxed and happy, it was surprising and sad when just a few months later he entered a difficult
period that lasted nearly two years plagued by drug and health issues. Happily he and the band recovered to record 1987’s In the Dark, the album that would provide them with their first (and only) Top 10 single “Touch of Grey” (and the introduction of Cherry Garcia ice cream). “The long strange trip” would continue for almost eight more years until his
untimely death in August 1995.
My first Dead working experience (not just as a listener) was as part of a historic broadcast on December 5, 1971, from New York’s Felt Forum a mid-sized theatre within Madison Square Garden. As was often the case that year, The New Riders of the Purple Sage (with Jerry Garcia on pedal steel guitar) were the opening act for the Grateful Dead. A Bill Graham production, it was the first live radio broadcast of the Dead in New York City and one of their earliest ever. We had the broadcast at 102.7 WNEW-FM and as
the new kid on the staff, I was back at the studio to handle the station ID’s and be ready in case anything went wrong. In his role as Program Director, the legendary Scott Muni
outlines the evening’s events as they are expected to unfold in this wonderful memo.
|
|
|
|
The Beatles Invade America
America met the Beatles for the first time on February 7th, 1964 and from that day on, the music world and my life were never quite the same. Beatlemania erupted that chilly afternoon as they arrived at New York’s Kennedy Airport, and continued to build momentum as the next week’s events unfolded. I was glued to my AM radio following their trip to the Plaza Hotel, their appearances on The Ed Sullivan Show, on-the-air with Murray the K, traveling to Washington DC and Miami, and performing at Carnegie Hall. It was a story I always wanted to revisit in detail complete with rare broadcast audio and exclusive interviews. I had the opportunity to do just that with the award-winning documentary I created: It Was Forty Years Ago Today – The Beatles Invade America. Listen here for an excerpt or here for the complete one-hour show.
.
|
|
|

|
John
Lennon
Without
question, my most memorable interview and on-air
experience to date, was on September 28, 1974, a
Saturday afternoon I spent with John Lennon.
I had met
him just a few weeks before at the Record Plant
recording studio and casually asked him if he’d like to
come up to the station to talk about his forthcoming
album Walls and Bridges. I doubted
anything would come of it, since none of the Beatles had
ever visited our station before. When he showed up
eager to talk, bringing with him some obscure 45’s he
wanted to share with the audience, I didn’t know what to
expect.
What began
as an opportunity to promote the new album, turned into
two hours of rare Beatle stories, insights into his
immigration struggles, and John as the DJ, introducing
and commenting on all the music, commercials and
weather. Highlights from the interview were used
in the Beatles Anthology and various documentaries.
The complete show is part of the permanent collection of
the Paley Center For Media (formerly the Museum of
Television and Radio). This moment was, and still
is, one of my favorites.
|
|
|
 |
Elton John
Elton John was a frequent and welcome guest at WNEW-FM
in the 1970’s. One of his most historic visits
happened November 29, 1974, the day after Thanksgiving,
when he stopped by to co-host my show. The night
before he had performed at Madison Square Garden and
welcomed a “surprise” guest on-stage. Though no
one could have imagined it at the time, it would turn
out to be John Lennon’s final concert performance and we
discussed how it happened. |
|
|


|
Pete
Townshend
Meeting Pete Townshend in the 1970’s, I was pleasantly
surprised when he told me he often listened to my
nighttime show. I wondered how that was possible,
as he was living in England at the time. Pete explained
that he had tapes of WNEW-FM sent to him regularly and
that he often listened to my show while driving his
daughter to school.
Being a huge
Who fan, that was a great image to enjoy.
We met up
again several times since then and it was on his June
16, 1993 visit to promote his solo project
Psychoderelict that he revealed the secret behind
all those smashed guitars.
|
|
|

|
Clarence Clemons - The E Street Band
The first time I met Clarence Clemmons was backstage at New York’s Bottom Line in
August 1975 during his historic series of performances with Bruce Springsteen’s
E Street Band.
In 1985 I did a TV profile about him for PM Magazine spotlighting his solo career. When we sat down again in Feb 2004 he was working on some solo projects, but
still very much a pivotal member of Bruce’s band and firmly established as one of the
defining saxophone players of rock n’ roll. We talked about all of these things and
he shared the wonderful story of the night forever immortalized in Tenth Avenue
Freezout when “the Big Man joined the band.”
|

|
|

|
Ronnie Wood - The Rolling Stones
There are a lot of different ways to celebrate New Year's Eve, but I'll always remember 12/31/82 as
the one I got to spend with Ron Wood. Stopping by my show to promote an upcoming appearance,
Ron and his entourage were clearly in a holiday mood. With a rock 'n' roll lineage that includes
the Jeff Beck Group, the Faces, and the Stones he had some great stories to share, plus a
comment about their upcoming album Undercover that made me hope the FCC wasn't listening. |
|
|
 |
John
Fogerty –
Creedence Clearwater Revival
Creedence
Clearwater Revival was one of the most successful bands
of the late 1960’s and early 70’s.
Their
leader, John Fogerty, emerged as a performer with one of
the most distinctive vocal and guitar sounds in rock ‘n’
roll. Many of the songs he wrote and recorded became
not only rock classics, but also political touchstones
of the period.
Disbanding
the group in 1972, he went on to pursue a solo career
and continued making memorable music.
Despite his
success, there were lengthy legal battles with his
former record company and bandmates that made it
difficult for him to embrace CCR’s legacy.
In 2005 John
finally made peace with his past symbolized by
re-signing with his former record company (Fantasy
Records, now under new ownership). His latest CD for
the label, Revival was released in October 2007.
We spoke in
the fall of 2004 and again in 2007 about his latest
releases, and of course that classic Creedence sound. |
 |
|

|
John Mellencamp
“I Need a Lover” by John Cougar (not Mellencamp at the time) was one of
my favorite records of 1979. I became friendly with John, introduced him to
NY on-stage at the Bottom Line and the relationship grew throughout the years.
Combining commercial success with social activism (and helping to establish Farm Aid),
John’s never been shy to speak his mind on a variety of subjects.
When we sat down to discuss his 2003 album Trouble No More, he offered some
surprising insights into how he viewed his own celebrity and we shared a
mutual passion for an old 45 RPM single.
|
 |
|

|
Levon Helm - The Band
Levon Helm is an American treasure. Beginning as a drummer with Ronnie Hawkins and the Hawks, later working with Bob Dylan and then as a founding member of the legendary Band, he has always been regarded as a "musician’s musician."
He’s also an accomplished film actor with critically acclaimed performances in Coal Miner’s Daughter and The Right Stuff. His book This Wheel’s on Fire provided an insiders look into the Band’s storied history.
In 1996 Levon was diagnosed with throat cancer and his distinctive singing voice was silenced. When he stopped by for a live studio visit in November 2000 he sat in on drums with a local band, The Electrix, unable to sing, but lighting up the room with his energy and enthusiasm. We spoke about his history, the dawn of the new century and since it was Thanksgiving weekend, reminisced about The Band’s farewell performance, dubbed The Last Waltz.
Today Levon’s voice and health have rebounded and he’s recording and touring again. His sold-out series of Midnight Ramble Sessions at his studio in Woodstock consistently draws a stellar list of all-star performers and celebrities.
|
|
|

|
Joni Mitchell
For the generation that came of age during the emergence of the folk-rock singer-songwriters, Joni Mitchell has always been one of the most influential and admired performers. With legendary songs like "The Circle Game" and "Woodstock", defining albums including Clouds, Blue, and Ladies of the Canyon, and genre breaking excursions into jazz and beyond, Joni has never stopped evolving as an artist.
We spoke in the fall of 1985 as she was promoting her latest album Dog Eat Dog.
She was gracious and open and happily receptive to my questions regarding some earlier Joni classics including "Both Sides Now" and an obvious DJ favorite about the radio
|
|
|
 |
Paul
Simon
As a student
at Queens College in the mid 1960’s, I started to hear
rumors that one half of a new folk rock duo that was
getting airplay, was a recent graduate of our school.
The alum was Paul Simon who along with his partner
Art
Garfunkel had grown up in nearby Forest Hills and would
soon become known worldwide. By the time they
split up in the early 70’s, I was on-the-air at WNEW-FM
and introducing their solo projects to my listeners.
Paul especially was trying out new musical genres and he
was my in-studio guest on September 8, 1986 to discuss
his latest project, the ground breaking album
Graceland.
Seventeen
years (and one day) later on September 9, 2003, Simon
and Garfunkel announced their long awaited reunion.
It was called the Old Friends tour, based on a song
title that was part of their classic Bookends album.
I arranged for a live radio broadcast of the event over
WFUV live from The Bottom Line club and here are
highlights from that press conference and performance. |
 |
|

|
Rick Nielsen - Cheap Trick
Rick Nielsen and Tom Petersson first recorded together in 1968 as the band Fuse with limited success. Returning to their home town of Rockford, Illinois in the early 70’s, they joined with drummer Bun E. Carlos and vocalist Robin Zander to form
Cheap Trick. Their 1977 debut album was well received in the US, but in Japan they quickly became superstars. Capturing the energy and excitement of their live shows, the album At Budokan (released initially only in Japan in 1978, and in the USA in 1979), provided the spark for their American breakthrough.
Nearly thirty years later the original group is still recording, touring and supported by
a loyal and enthusiastic fan base. The band is heard nightly around the world with the theme to tv’s The Colbert Report and That 70’s Show.
In this 1980 conversation with Rick Nielsen, we discuss the early days of opening for
Kiss, their Japanese appeal, and several of their greatest hits.
|
|
|

|
Mel Brooks
Mel Brooks is truly an original, a one of a kind, and one of the few entertainers
to win an Oscar, a Tony, an Emmy and a Grammy. I had the opportunity to talk with him at length on March 27, 1978. He was promoting an album that featured both the soundtrack to his latest film High Anxiety and musical highlights from his earlier movies
billed as his “Greatest Hits.”
What a night - spending the evening as the straight man with the original “Two Thousand Year Old Man”, creator of Get Smart and the director/writer of Young Frankenstein, Blazing Saddles and so many more. Of course we talked about The Producers and it’s interesting to hear what he thought the future of it might be, more than two decades before it became one of the most successful Broadway shows ever. As the interview began, it was obvious he had gotten some background information on me that still makes me (and my Mom) smile.
. |
|
|
 |
Grace
Slick / Jefferson Airplane
The “voice
that may have launched a thousand trips”, Grace Slick is
best known for her work with the Jefferson Airplane.
As the Airplane morphed into the Starship in the 70’s,
Grace continued to record with them, while also
releasing solo albums. By the 80’s the band had
become an on-again off again act, but during her visit
to my show on Feb 8, 1984 promoting her new album
Software, she recalled one of their biggest hits.
|
|
|

click
photo to enlarge
|
Woodstock - Richie Havens and John Sebastian
The Museum at Bethel Woods – the story of the Sixties and Woodstock has just opened at the site of the legendary 1969 Festival,
in Bethel, NY.
The music, culture and politics that defined a generation unfold through
a series of state-of-the-art multi media exhibits and interactive displays.
The concert itself is recreated through a stunning audio and visual
experience. I’m very proud to be featured as the “Voice of Rock History”
throughout the Museum.
On May 28, 2008, just before the Museum officially opened I hosted a presentation
for the worldwide press with Richie Havens, John Sebastian and Vernon Reid.
Richie and John, two of my favorite artists and original Woodstock performers,
recalled how they wound up as part of that amazing weekend. |
|
|
 |
Meatloaf
In 1977 the
words Meatloaf suddenly became recognized as something
other than what’s good on the menu. With the
amazing success of “Paradise by the Dashboard Light”,
Meat (or Mr. Loaf as the NY Times once referred to him)
and his songwriting partner Jim Steinman had created an
instant rock classic. Shortly after the release of
the original
Bat Out of Hell we sat down in a NY recording
studio to discuss it.
Nearly
thirty years later (Aug 17, 2006) Meatloaf and I would
sit-down again, only this time it was at WFUV as he was
just about to release Bat Out of Hell 3.
You can hear the entire show here…
|
 |
|

|
Donovan
Donovan Phillips Leitch was born in Scotland in 1946 and moved with his family
to the outskirts of London when he was ten. With Scotish and English folk music
as his early influences, he dropped out of art school to pursue life on the road as
a musician. His early success with the acoustic based songs "Catch the Wind", "Colours"
and "Universal Soldier" had some calling him the British Bob Dylan. Joan Baez and
Pete Seeger introduced him to American audiences at the 1965 Newport Folk Festival.
Teaming up with successful pop producer Mickie Most, Donovan’s records took on a
new sound and he had his first #1 hit with “Sunshine Superman” in 1966. It was the same year that he became the first well known British pop star to be busted for possession of marijuana. With the follow-up hit Mellow Yellow and it’s line "electrical banana is gonna be a sudden craze" fueling the myth that smoking dried banana skins could make you high, Donovan was labeled as a poster child for the hippie drug culture that had emerged. Though he would eventually move past that image, it did serve as part of
the inspiration for one of his most memorable songs "Season of the Witch". We talked
about it when I interviewed him in July 2004 promoting his latest album Beat Café.
|

|
|
 |
Bev Bevan - ELO
ELO, the Electric Light
Orchestra, one of my favorite bands
were in the midst of one of
their most creative periods when I welcomed their
drummer
Bev Bevan to the studio on
December 5, 1977. Though Jeff Lynne would emerge
as the group’s leader, it was Bev who had become the
group’s spokesman. We discussed their origins as
the Move, breaking new ground with orchestral rock,
their graphics and album covers and a strange
coincidence from
the previous summer.
It was ELO that was spinning
on the turntable during my show just
a few months earlier on July
13, 1977 when a major blackout crippled the New York
area. Here’s how it sounded at
WNEW-FM
when Scott Muni
and I returned to the airwaves the
following day.
|
 |
|
 |
Ronnie
Lane - Small Faces
Ronnie Lane was a musician loved and respected by his
peers, though never as well known as the famous
musicians he played with. He was an original
member of the Small Faces that ultimately became Faces
joined by Rod Stewart and Ron Wood. Leaving
the Faces in 1973 he formed Slim Chance and they toured
as a rock n roll circus. He teamed up with Pete
Townshend and released the critically acclaimed Rough
Mix LP in 1977. When Ronnie was diagnosed with
Multiple Sclerosis, his friends including Eric Clapton
and Jeff Beck organized and performed the ARMS concerts,
launched to raise money to fight the disease. On April
17, 1987 he was in NY to appear with a new group he was
working with called The Tremors. We talked about
all of these things and even learned the truth about
“Itchycoo Park.”
Ian
McLagan
was a good friend and fellow band mate of Ronnie’s in
the Small Faces and Faces. I got his take on some
of the same subjects when he and his Austin, TX based
group the Bump Band stopped by WFUV in November 2004.
|

|
|
 |
Randy
Bachman –
Bachman-Turner Overdrive
When Randy
Bachman was my guest on December 7, 1974 – his group BTO
(Bachman-Turner Overdrive) had emerged over that year as
one of the most successful new bands of the era. Having
just scored their first number one hit with “You Ain’t
Seen Nothing Yet”, they were in New York to play a sold
out show at an unusual venue.
They were
booked as the first group (and maybe the last) to play
the NFE – a short-lived attempt in re-opening the
legendary Fillmore East. As Randy explained it to me,
the last time he had played in New York (four years
earlier) had been at the original Fillmore, as a
founding member of his earlier band the Guess Who. He
liked the idea of returning to the same place to
celebrate BTO’s success. We talked about a lot of their
music, including this song (released just six months
earlier) that was already taking on an anthem-like
status. |
|
|
 |
Flo and
Eddie / Turtles
Flo and
Eddie are actually Mark Volman and Howard Kaylan, but
they’re better known as the lead vocalists of the
Turtles. When the group split in the early 70’s,
Mark and Howard took on the identity of Flo and Eddie,
began touring with Frank Zappa and created a whole new
act that incorporated rock satire with their music.
Their annual Christmas week shows at New York’s Bottom
Line became a Holiday tradition and so did their visits
to my show. During their appearance in December of
1978 they recalled how they were participants in a bit
of rock n roll history forever immortalized in a Deep
Purple song.
|
|
|

|
Dan Fogelberg
I was really saddened
to learn of the recent passing of Dan Fogelberg (12/16/07) at age 56 of prostate cancer.
Beginning with his first album Home Free in
1972, his music and voice had a great quality that
seemed to reflect a loving and positive approach to
life. Speaking with him in September 1987 at WNEW-FM,
we discussed his then current release Exiles, life
on the road in New York, and the story behind the
holiday classic "Same Old Lang Syne." |
|
|
 |
Rick
Derringer / McCoys
Rick Derringer with his band The McCoys had a # 1hit with
“Hang on Sloopy” in 1965.
He went on
to work and play with Johnny and Edgar Winter in the
70’s, and produced Edgar’s biggest hit “Frankenstein.”
In 1973 his solo career took off with “Rock n Roll
Hootchie Koo” and on April 11, 1975 he stopped by WNEW-FM
to promote his new album Spring Fever.
Among the many things we discussed, was his decision to
re-record “Sloopy.” |
|
|
 |
Eric
Burdon – The Animals
The Animals
from Newcastle-upon-Tyne, were part of the musical
“British Invasion” of the mid-sixties, and responsible
for some of that period’s greatest hits.
The original
lineup of Eric Burdon, Alan Price, Chas Chandler, Hilton
Valentine, and John Steel, were only together for two
years. Alan Price left in 1965 and Chas Chandler
departed the group in 1966 after which he helped to
establish the career of Jimi Hendrix as his manager.
Eric, the
distinctive lead vocalist, would remain as the band’s
leader and together with a successful solo career would
continue to keep the group’s name alive.
Throughout
the years there were several attempts to reunite the
original members and in 1983 a full reunion finally
occurred. They recorded a new album Ark, and
went out on tour. They visited my show on July 22,
1983, having played the Capitol Theatre in Passaic, NJ
the night before and preceding a show that night at the
“Dr. Pepper at the Pier” Concert Series in Manhattan.
I spoke with
Eric about their biggest hit. |
|
|

|
Darlene Love - the Phil Spector Christmas Album
She’s been a Blossom, a Crystal and even part of Bob B. Sox and the Blue Jeans, but Darlene Love’s voice always stands out on its own. Working in the sixties with producer Phil Spector she sang lead on “He’s a Rebel”, “He’s Sure the Boy I Love”, “Today I Met the Boy I’m Going to Marry” and perhaps the best known song from his legendary holiday album A Christmas Gift for You - “Christmas (Baby Please Come Home)”.
During the seventies she worked as a back-up singer and raised a family. In the eighties and nineties she appeared on Broadway in Leader of the Pack and Grease and in the Lethal Weapon movies playing Danny Glover’s wife. She appeared in 1986 on Late Night with David Letterman to sing her Christmas song and has returned every year since at Dave’s special invitation to ring in the holiday season. We spoke about that tradition and more on December 18, 2003.
|
|
|
|
WNEW-FM |
|
 |
Rosko
This
photograph was taken on October 17, 1967. The
young, earnest looking guy in the tie is me – then
program director and disc jockey at my college radio
station WQMC (Queens College).
I’m
listening to Rosko, who had emerged over 1966 as one
of the most admired and unique radio personalities
on the new FM scene. He had been part of NY’s first
progressive rock station – WOR-FM – and I invited
him to speak to the students on-campus. A month
earlier we had picked the date, but in the interim
he had resigned from WOR-FM and told me on the phone
he was switching to WNEW-FM. He asked if he might
bring his new general manager, George Duncan,
along. He thought it would give George the
opportunity to get a sense of what the college
audience WNEW-FM was looking to reach was all
about. It was a great afternoon and this picture
brings it all back for me.
I always
appreciated the irony that nine years later in May
1976 I would take over the same nighttime shift as
one of my first FM mentors. In retrospect, I must
have paid careful attention to whatever he was
telling me that day.
Two
weeks later, WNEW-FM’s transition was underway. A
year earlier they had adopted a format as the first
station in NY with all female DJs, playing music
that was a type of light rock often referred to as
“chicken rock”.
Alison Steele, the only one of the
DJ’s who would stay with the station and later
become famous as “the Nightbird”, is explaining
what’s about to happen on October 30, 1967.
|
|
|
|
Zacherle
Dressed as an undertaker, John Zacherle became known as
“The Cool Ghoul”, hosting horror movies on television in
the late 1950’s and early 60’s. Known just as Zacherle,
his outrageous presentation and unforgettable laugh were
far more entertaining and memorable than most of the
films he showed.
He
even had a national top ten hit single with the great
novelty song “Dinner with Drac” in 1958.
In the mid
to late 60’s he hosted Disc-O- Teen, a TV dance
show on a small UHF station in New Jersey. He joined
WNEW-FM in 1967 as a truly unorthodox radio morning man,
before switching to late nights. In 1971 he joined WPLJ,
and became a fixture of NY rock radio over the next ten
years.
On Halloween night, 1997
I was lucky enough to have him as my special guest on
WNEW-FM. |
|
|
Home
|
Biography |
Voiceovers |
Archives
| Contact |
|
|